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Daily Program Updates

July 18, 2011

Good morning,

Below are the program updates as of Monday, July 18. Items with an * are new as of today. Please update your programs and enjoy the conference!

PAPER CANCELLATIONS AND REPLACEMENTS

*20G. Music Across the Atlantic.
Arts & Administration, Room 1046
Chair: Edwin SEROUSSI (Israel)
»» Anne CAUFRIEZ (Belgium). “The Music of Madeira Archipelego at the Crossroads of Atlantic Routes.”
»» Luiz Henrique FIAMMENGHI “Warrior Maiden: Cultural Juxstaposition and Hybridization as Creative Process.

»» Matthias STÖCKLI (Guatemala). “Sounds of War in Bernal Díaz de Castillo’s Account of the Spanish Conquest.”
»» Mike ANKLEWICZ (Canada). “The ‘Yiddish Atlantic’. Klezmer Migrations.”
»» Messod SALAMA (Canada). “Musical Counterfactum and Vestiges of Judeo-Spanish Liturgy among Canadian Sephardim: A Power Point and Live Presentation.”

16B. Dialogic Knowledge Production: Ethics and Impact.
Bruneau Centre, Room 2001
Chair: Don NILES (Papua New Guinea)
»» Samuel ARAÚJO (Brazil). “Music, Politics, and Citizenship: The Scholar in the Public Sector.”
»» Eric Martin USNER (USA). “From Applied to Engaging Ethno/musicology: Pedagogies of Self, AesthEthics, Justice, and Love.”
»» Sarah ROSS (Switzerland). “Fieldwork between Heart and Brain, Imagination and Reality: Towards the Production and Representation of Jewish Musical Knowledge.”

13A. Indigenous Modernities, Musics and Media.
School of Music, PetroCanada Hall
Chair: M. Celia CAIN (Canada)
»» Klisala HARRISON (Canada). “Third Texts in Indigenous Performance: The Silent Film.”
»» Elyse CARTER VOSEN (USA). “Justice Hunters: Negotiation and Resistance in Indigenous Popular Music.”
»» M. Celia CAIN (Canada). “‘This is the music I know’: Producing Canadian Indigenous Popular Music Television.”

10H. Indigenous Responses to the Musical Legacies of Missionization.
Arts & Administration, Room 1046
Chair: Elaine KEILLOR (Canada)
»» Vít ZDRÁLEK (Czech Republic). “Whose Modernity? Performing Authority in Zion Christian Church, South Africa.”
»» Chad HAMILL (USA). “Catholic Expressions of Indigeneity: Indian Hymns of the Coeur d’Alene.”
»» Tom GORDON (Canada). “The Inuit Voice in Moravian Music.”
»» A.A. Idamoyibo ATINUKE (Nigeria). “Indigenous Modernities: The Systematic Development of Ijala Genre from the Hunters Chant to a Contemporary Genre in Christian Worship.”

6E. Northern Indigenous Popular Music.
Science, Room 2109
Chair: Beverley Diamond (Canada)
»» Véronique AUDET (Canada). “Why Do the Innu Sing Popular Music? Cultural Assertion, Healing and Identity Movements in Music.” [in French]
»» Andreas OTTE (Denmark). “Popular Music from Nuuk.”
»» Sophie STÉVANCE (Canada). “The Inuit Katajjaq in Popular Culture.” [in French]
»» Tom ARTISS (United Kingdom). “Approaching Music as ‘A Life’: Ethnographic Reflections from a Radio Station in Nain, Nunatsiavut.”

20G. Music Across the Atlantic.
Arts & Administration, Room 1046
Chair: Edwin SEROUSSI (Israel)
»» Anne CAUFRIEZ (Belgium). “The Music of Madeira Archipelego at the Crossroads of Atlantic Routes.”
»» Matthias STÖCKLI (Guatemala). “Sounds of War in Bernal Díaz de Castillo’s Account of the Spanish Conquest.”
»» Mike ANKLEWICZ (Canada). “The ‘Yiddish Atlantic’. Klezmer Migrations.”
»» Messod SALAMA (Canada). “Musical Counterfactum and Vestiges of Judeo-Spanish Liturgy among Canadian Sephardim: A Power Point
and Live Presentation.”

9J. Asian and Afro-Caribbean Musics: Concepts, Biomimetics, Improvisation and Ritual.
Arts & Administration, Room 1045
Chair: Ellen WATERMAN (Canada)
»» LIN Lijun (China). “A Field Record on the “Fire-walking” Ceremony at Yang’tou of the Pan’an County.”
»» Slawomira ŻERAŃSKA-KOMINEK (Poland). “Music as Process: Turkmen Bagshy’s Wandering in Space and Time.”
»» Kenneth SCHWEITZER (USA). “The Evolution of Improvisation in Ritual Batá Drumming.”
»» Paul D. ORMANDY (Canada). “Traditional Drumming of the Cayman Islands.”

5B. Archives, Memory and Community.
School of Music, Room 1032
Chair: Atesh SONNEBORN (USA)
»» Stephanie CONN (Canada). “Archive and Memory in Cape Breton Gaelic Singing.”
»» Frederick MOEHN (Portugal). “Curating Community at the Jazz Museum in Harlem.”
»» Genevieve CAMPBELL (Australia). “Ngarukuruwala: Returning Archived Recordings to the Tiwi Islands.”

 16B. Dialogic Knowledge Production: Ethics and Impact.
Bruneau Centre, Room 2001
Chair: Don NILES (Papua New Guinea)
»» Samuel ARAÚJO (Brazil). “Music, Politics, and Citizenship: The Scholar in the Public Sector.”
»» Eric Martin USNER (USA). “From Applied to Engaging Ethno/musicology: Pedagogies of Self, AesthEthics, Justice, and Love.”
»» Sarah ROSS (Switzerland). “Fieldwork between Heart and Brain, Imagination and Reality: Towards the Production and Representation of Jewish Musical Knowledge.”

4E. Individuals as Shapers of Modern Worlds.
Science, Room 2098
Chair: Sarah WEISS (USA)
»» Lillis Ó LAOIRE (Ireland). “Can the Subaltern Sing? The Indigenous, the Modern and the Career of Joe Heaney (1919-1984).”
»» Paul SMITH (Canada). “Reverend George Low and Sword Dancing in Shetland.”
»» Jennifer HILDEBRAND (USA). “Roland Hayes in Russia: Examining the Musical Crossroads of Nationality and the Folk.”
»» Ljerka V. RASMUSSEN (USA). “‘Sevdah is love’: Hanka Paldum, the Singer of Bosnia.”

21D. Changing Cultural Traditions in the Context of Life-Cycle Events.
Arts & Administration, Room 1043
Chair: Inna NARODITSKAYA (USA)
»» Inna NARODITSKAYA (USA). “Diasporic Weddings: An Ongoing Dance of Negotiation.”
»» Kapambwe LUMBWE (Zambia). “Indigenous Mfunkutu and Contemporary Ubwinga (Wedding) Music of the Bemba-speaking People: Continuity and Change.”
»» Fattakh KHALIG-ZADA (Azerbaijan). “Past and Present in a 21stcentury Baku Wedding Celebration.”

PAPER ADDITION

9A. Popular Music’s Traditional Roots.
School of Music, PetroCanada Hall
Chair: Judith GRAY (USA)
»» TAKAMATSU Akiko (Japan). “Unity or Variety? British Traditional Ballads and their Development as Popular Music.”
»» Peter NARVÁEZ (Canada). “‘Running Bass’: An African-American Blues Guitar Figure that Contributed to the Development of Rock.”

»» Perminus Matiure (Zimbabwe). “The impact of modernity on the indigenous music of the Zezuru people of Zimbabwe: The case of mbira music.” 

SESSION CHANGES

11A. Australian Indigenous Modernities.
School of Music, D.F. Cook Hall
Chair: Stephen WILD (Australia)
»»Steve Wanta Jampijinpa PATRICK and Yukihiro DOI (Australia). “Milpirri: Aboriginal Community Event that Joins the Ancient with the Contemporary.”
»»Aaron CORN (Australia). ‘The Garma Festival of Traditional Culture as Vehicle for Cultural Dynamism.”
»»Helen Rrikawuku YUNUPINGU (Australia). “Keeping Milkarri Strong: Documenting Yolngu Women’s Crying Songs in the Digital Age.”
»»Genevieve CAMPBELL (Australia). “The Ngarukuruwala Elders, Cultural Mediation and the Tiwi Strong Kids Song.”

TIME CHANGES

Friday, July 15: Study group on Historical Sources of Traditional Music (Chair: Ingrid Åkesson). School of Music, Room 2025 is meeting at 5:45, not 12:30

Sunday, July 17. Tran Quang Hai workshop in Arts and Culture Centre Gallery East is moved to 1:30.

Sunday, July 17. Performing Arts of Southeast Asia study group will be meeting at 5:45pm. Room TBA.

CHAIR REPLACEMENTS

*20B.  Negotiation and Competition as Musical Processes. School of Music, Room 1032 Chair: Klissala Harrison Elyse CARTER-VOSEN (USA)

21 A. Globalization and Identity. School of Music, D.F. Cook Hall. Chair: Janet Sturman Larry Witzleben

4F. Post-Colonial Sound Ecologies in the South Atlantic. Arts & Administration, Room 1043. Chair:  Luis Figueiredo (Portugal) Salwa El-Shawan Castelo-Branco

CONCERT CANCELLATION

Feast of Asia. D. F. Cook Recital Hall.

OTHER ADDITIONS

CSTM open mic, D. F. Cook Hall, Sunday 5:45-7:00pm.

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